Judd Nelson gives a convincing performance of 'Bender' the criminal. It may have been cliched but what film isn't, we like certain elements we can relate to otherwise what would we take from films. No matter what little sub-culture you were shifted into whilst going through the trials and tribulations of Secondary school you could relate to it.
It reaches out to you - and your touched by it. This film is one of the most influential films I have ever watched. Even if you aren't a fan of the 80's genre, this isn't one you would want to miss.
This is one movie that left me feeling both happy and sad for each of the characters, and it isn't easy to make me care about a film in that way. And I'm sure that most people will do that. At the end of the film, the viewer is left to make their own conclusions as to how things will carry forth. Simply put, these two actors each put their heart and soul into their respective characters, and it shows. Each of the main characters in this film shines, but Judd Nelson (John Bender) and Emilio Estevez (Andrew Clark) rise above the rest. This film gives the viewer some insight into how the other people around them might have felt during that particular time in their lives. Nobody likes the role they must inevitably portray in the high-school scene, but the fact is, it is often inescapable. The most important scene in this film is when the characters, as a group, all open up to one-another and describe the hell that their daily school routines are in a personal fashion. Whether or not things remain the way they are long after this film ends is unknown, and that adds to the rama. They all change, in one way or another, by the end of the film. Every character in this film is three-dimensional. What makes this film rise above the rest is the character development. They all exist, to some degree or another, in the classrooms of every high school on the continent. The geek, the jock, the outcast, the rich pretty-girl snob, and the future criminal. As a child of the 80's, I can honestly say that this is a representative cross-section of every high school in North America. The fact is, every teen character in this movie can be related to someone we knew in high-school. This movie is one of the best, if not THE best, 80's film there is. Because you can't dismiss something you understand. It exists so that we can remember what it was like and better understand ourselves, and the next generation. It exists for all of us who have already been through there, who feel that they are above it now. "The Breakfast Club" does not exist not for highschool kids, as some suggest. Dig out your old diary or book of angstful poems and reaquaint yourself with who you were then, when you felt things more deeply. If you really want to understand this film, think back to your own high school days. Seeing the movie as you want to see it, in the simplest terms and the most convenient definitions. If you subscribe to that flippant perspective you might as well join Vernon in his office because you are doing the same thing that he did. I have heard it said that "The Breakfast Club" is melodramatic, overacted, and simplistic. John Hughes movie brilliantly captures that environment, that era in our lives, and all the social rifts that we all helped to create for ourselves. A crazy, intense time when your high were higher and your lows were lower, and every experience was that much more significant.
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